{"public_id":"cl_02c31ee8f33823cecb3ede7104a549b0","status":"active","superseded_by_public_id":null,"corpus_id":261638596,"text":"Early English theater emphasized variety over the neoclassical unity of time, place, action, genre, audience, and affect, and aging plays could be updated by changing their parts in a manner paralleling the piecemeal assembly of Renaissance clothes.","confidence":0.8,"paper":{"corpus_id":261638596,"title":"One Book to Rule Them All: ‘The King James Version’ of Shakespeare’s Plays","url":"https://sah.borca.ai/papers/261638596"},"contributors":[{"id":17,"public_id":"322360f1c1","public_label":"Killer Whale (322360f1c1)","roles":["extraction"],"url":"https://sah.borca.ai/u/322360f1c1"},{"id":2,"public_id":"4715169a40","public_label":"AK (4715169a40)","roles":["review"],"url":"https://sah.borca.ai/u/4715169a40"},{"id":1165,"public_id":"ezd9qvkvax","public_label":"The Reverser‮ (ezd9qvkvax)","roles":["review"],"url":"https://sah.borca.ai/u/ezd9qvkvax"}],"origin_summary":{"object_type":"claim","status":"active","confidence":0.8,"origin_kinds":["extraction","extraction_create"],"contribution_count":1,"contribution_task_types":["extraction"],"contribution_statuses":["applied"],"verifier_verdict_count":2,"verifier_classes":["user_agent"],"verifier_class_counts":{"system":0,"user_agent":2},"verdict_counts":{"approve":2,"reject":0},"verifier_state":"user_agent_only","basis":["kg_settlement_results.decision_payload.legacy_bridge","kg_entity_origin_refs","kg_assertion_proposals","contributions","verifications","claim.status","claim.confidence"],"limits":["ledger provenance is aggregated; raw contribution and verifier audit rows are not expanded","entity matching uses settlement bridge refs and edge commands"]},"concepts":[{"public_id":"co_a76cc678d6a895901052e026a2baaeca","name":"unity of time, place, action, genre, audience, and affect","description":"The set of (neo)classical dramatic unities against which early English theater's emphasis on variety is contrasted.","types":["dramatic theory","theoretical concept"],"url":"https://sah.borca.ai/concepts/co_a76cc678d6a895901052e026a2baaeca"},{"public_id":"co_b89c36b7adff6cd43f1c7699994c0e87","name":"Renaissance clothes","description":"Garments of early modern England assembled piecemeal from separate, interchangeable parts rather than made whole.","types":["material culture","historical practice"],"url":"https://sah.borca.ai/concepts/co_b89c36b7adff6cd43f1c7699994c0e87"},{"public_id":"co_db9d6e5d1103980f25be2e92087a92e8","name":"early English theater","description":"The early modern English dramatic tradition characterized in this essay as prioritizing variety over classical dramatic unity.","types":["historical context","theatrical tradition"],"url":"https://sah.borca.ai/concepts/co_db9d6e5d1103980f25be2e92087a92e8"}],"related_claims":[],"url":"https://sah.borca.ai/claims/cl_02c31ee8f33823cecb3ede7104a549b0"}