ON MONSTROUSLY AMBIGUOUS PAINTINGS

No abstract is available for this paper.

• Publication year

  1993

• Venue

  History and Theory

• Publication date

  1993-10-01

• Fields of study

  Art, History

• Identifiers
  DOI 10.2307/2505524
• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar

• No claims are published for this paper.

• No concepts are published for this paper.

• The Moses of Michelangelo.

  1958cited by this paper

• Giorgione's Tempest, Studiolo Culture and the

  2016cites this paper
• When Challenging Art Gets Liked: Evidences for a Dual Preference Formation Process for Fluent and Non-Fluent Portraits

  2015cites this paper
• Correction: When Challenging Art Gets Liked: Evidences for a Dual Preference Formation Process for Fluent and Non-Fluent Portraits

  2015cites this paper
• Image Ambiguity and Fluency

  2013cites this paper
• The choreographic imagination in Renaissance art

  2012cites this paper
• Giorgione's Tempesta: a Virgilian pastoral

  2008cites this paper
• Debussy's L'Isle joyeuse as Territorial Assemblage

  2007cites this paper
• Companion to Historiography

  2006cites this paper
• Giorgione's Tempest, Studiolo Culture, and the Renaissance Lucretius*

  2003cites this paper
• Why Are Our Pictures Puzzles? Some Thoughts on Writing Excessively

  1996cites this paper