Learning syntactically significant temporal patterns of chords: A masking field embedded in an ART 3 architecture

No abstract is available for this paper.

• Publication year

  1992

• Venue

  Neural Networks

• Publication date

  1992-07-15

• Fields of study

  Art, Computer Science

• Identifiers
  DOI 10.1016/S0893-6080(05)80034-6
• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar

• No claims are published for this paper.

• No concepts are published for this paper.

• Traité de l'harmonie : réduite à ses principes naturels

  1992cited by this paper
• ART 3: Hierarchical search using chemical transmitters in self-organizing pattern recognition architectures

  1990influential reference
• The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model

  1990cited by this paper
• Attractor dynamics and parallelism in a connectionist sequential machine

  1990cited by this paper
• Categorization of Musical Patterns by Self-Organizing Neuronlike Networks

  1990cited by this paper
• Emergent properties of tonality functions by self‐organization

  1990cited by this paper
• Using Connectionist Models to Explore Complex Musical Patterns

  1989influential reference
• Meter as a Mode of Attending: A Network Simulation of Attentional Rhythmicity in Music

  1989cited by this paper
• Music Cognition and Perceptual Facilitation: A Connectionist Framework

  1987cited by this paper
• Parallel Networks that Learn to Pronounce English Text

  1987cited by this paper
• ART 2: self-organization of stable category recognition codes for analog input patterns.

  1987cited by this paper
• Masking fields: a massively parallel neural architecture for learning, recognizing, and predicting multiple groupings of patterned data.

  1987cited by this paper
• The Functional Extravagance of Chromatic Chords

  1986cited by this paper
• A Generative Theory of Tonal Music

  1985cited by this paper
• Linguistics and the computer analysis of tonal harmony

  1968cited by this paper

• Key-Finding by Artificial Neural Networks That Learn About Key Profiles

  2018cites this paper
• Musical Syntax I: Theoretical Perspectives

  2018cites this paper
• Non-linear Heterogeneous Ensemble Model for Permeability Prediction of Oil Reservoirs

  2013cites this paper
• Towards an "Archaeology" of Hearing: Schemata and Eighteenth-Century Consciousness

  2009cites this paper
• Effects of input representation on self-organizing and bottom-up model of chord schema

  2009cites this paper
• The Neural Correlates of Temporal Structure in Music

  2009cites this paper
• A Computational Model of Event Segmentation From Perceptual Prediction

  2007cites this paper
• Adaptive Resonance Situated for Articulatory Speech Learning and Synthesis

  2007cites this paper
• The Implications of Digital Music Libraries for Music Theory Society for Music Theory 2003, Madison

  2003cites this paper
• JYVÄSKYLÄ STUDIES IN HUMANITIES 9

  2003cites this paper
• Hierarchical Expectation and Musical Style

  1999cites this paper
• Self-organising discovery, recognition and prediction of haemodynamic patterns in the intensive care unit

  1997cites this paper
• Music Recognition: An Illustrative Application of a Connectionist Model

  1997cites this paper
• Using artificial bat sonar neural networks for complex pattern recognition: Recognizing faces and the speed of a moving target

  1996cites this paper
• Evaluation of the Tone Center Recognition Model

  1995cites this paper
• Anticipation-based temporal pattern generation

  1995cites this paper
• A Model of Retroactive Tone-Center Perception

  1995cites this paper
• Neural Network Music Composition by Prediction: Exploring the Benefits of Psychoacoustic Constraints and Multi-scale Processing

  1994cites this paper
• Modelling the Perception of Musical Sequences with Self-organizing Neural Networks

  1994cites this paper
• Defining a prototypical utterance.

  1991cites this paper