Sistema Composicional Intermarkoviano

Resumo O presente artigo trata da descrição do Sistema Composicional Intermarkoviano, resultado de uma convergência entre a teoria da intertextualidade e das cadeias de Markov, com o objetivo de estabelecer diretrizes pré-composicionais. Tais diretrizes se originam, no caso específico deste trabalho, das partições texturais rítmicas e dos contornos melódicos de uma obra musical original: o segundo movimento dos Cinco Movimentos para Quarteto de Cordas, Op. 5 de Webern. A operacionalidade do sistema é facilitada através de um aplicativo computacional denominado Markov Model, desenvolvido durante a pesquisa. Como resultado composicional, foi planejada e composta uma nova obra, cujas relações profundas de interdependência textural e contorno melódico se aproximam da obra original. Abstract: This article deals with the description of the Intermarkovian Compositional System, the result of a convergence between the theory of intertextuality and Markov chains, with the purpose of establishing precompositional guidelines. Such guidelines originate, in the specific case of this work, from rhythmic textural partitions and melodic contours of an original musical work: the second movement of the Five Movements for String Quartet, Op. 5 by Webern. The system's operability is facilitated through a computational application called Markov Model, developed during the research. As a compositional result, a new work was planned and composed, whose deep relationships of textural interdependence and melodic contour are close to the original work.

• Publication year

  2020

• Venue

  Revista Vortex

• Publication date

  2020-09-28

• Fields of study

  Not labeled

• Identifiers
  DOI 10.33871/23179937.2020.8.2.9
• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar

• No claims are published for this paper.

• No concepts are published for this paper.

• A Systemic Model for Debussy’s Prelude No.1

  2018influential reference
• The Markov Process as a Compositional Model: A Survey and Tutorial

  2017cited by this paper
• Markov Model

  2017cited by this paper
• Structural Functions In Music

  2016influential reference
• A Teoria de Relações de Contornos Musicais: inconsistências, soluções e ferramentas

  2013cited by this paper
• Desenvolvimento de sistemas composicionaisa partir da intertextualidade

  2011cited by this paper
• Scientific Support for the Decision Making in the Security Sector

  2007cited by this paper
• Grove Music Online

  2006cited by this paper
• Intertextuality in Western Art Music

  2004cited by this paper
• Folk Music Classification Using Hidden Markov Models

  2001cited by this paper
• Les mathématiques et la composition assistée par ordinateur (concepts, outils et modèles)

  2000cited by this paper
• Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition

  1998cited by this paper
• The Computer Music Tutorial

  1996cited by this paper
• New Directions in the Theory and Analysis of Musical Contour

  1993cited by this paper
• Facets of Systems Science

  1991influential reference
• Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition

  1990cited by this paper
• A Methodology for the Discussion of Contour: Its Application to Schoenberg's "Music"

  1985cited by this paper
• The Theory of Partitions

  1984cited by this paper
• The Dialogic Imagination: Four Essays

  1981cited by this paper
• Temporal Gestalt Perception in Music

  1980cited by this paper
• The Yuman Musical Style

  1928influential reference

• No citing papers are available for this paper.