Dimensionen der Groove-Affordanz (DGA) beim Hören populärer Musik: Ein neues Messinstrument und eine vergleichende Validierungsstudie

Beim Musikhören auftretende Bewegungsempfindungen und Bewegungsimpulse können ganz unterschiedliche Qualitäten besitzen und im Alltag bei hinreichendem Gefallen an der Musik und situativer Passung zu körperlichen Handlungen, z. B. Tanzbewegungen, führen. Um der qualitativen Vielfalt von musikinduzierten Bewegungsempfindungen zu begegnen, stellen wir mit den Dimensionen der Groove Affordanz (DGA) ein neues, theoretisch begründetes Messinstrument vor, welches auf einer Faktorenanalyse bereits erhobener Daten basiert und in der Lage ist, zwischen drei grundlegenden Dimensionen wahrgenommener rhythmischer Angebotsstrukturen beim Musikhören zu differenzieren: Roll, Drive und Pulse. Unter Nutzung digitaler Methoden der Datenerhebung (Webscraping, APIs, digitales Audiosampling und Online-Befragung) wird anschließend in Kombination mit Faktorenanalysen und Linear Mixed Models im Abgleich mit dem deutschsprachigen Experience of Groove Questionnaire (EGQ) untersucht, ob sich das neue Messinstrument auch an einem großen Stimuluspool von k = 448 Popmusikstücken hinsichtlich Modelpassung, Reliabilität und Diskriminanzvalidität bewährt. Dazu werden nach Berechnung von Faktorenwerten aus n = 1775 gesammelten Ratings von 178 Hörer*innen die nach Genres aufgetretenen Unterschiede bezüglich der Bewegungsempfindungen beim Hören von Popsong-Exzerpten ausgewertet. Die Analyseergebnisse zeigen, dass das DGA auch bei einer großen Anzahl musikalisch diverser Stimuli eine gute Modellpassung und Reliabilität aufweist und somit seinen Anspruch einlösen kann, unterschiedliche phänomenologische Aspekte von Bewegungsimpulsen bei vergleichsweise geringer Beeinflussung durch persönliches Gefallen abzubilden.

• Publication year

  2025

• Venue

  Jahrbuch Musikpsychologie

• Publication date

  2025-10-09

• Fields of study

  Not labeled

• Identifiers
  DOI 10.5964/jbdgm.217
• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar

• No claims are published for this paper.

• No concepts are published for this paper.

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