Applying Music Psychology to Music Education: Can Perceptual Theory Inform Undergraduate Harmony?

No abstract is available for this paper.

• Publication year

  1999

• Venue

  Unknown venue

• Publication date

  Unknown publication date

• Fields of study

  Computer Science, Education, Psychology

• Identifiers

  No identifiers available.

• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar

• No claims are published for this paper.

• No concepts are published for this paper.

• Tone Profiles following Short Chord Progressions: Top-down or Bottom-up?

  2000cited by this paper
• Melodic Intonation, Psychoacoustics, and the Violin Janina Fyk

  1997cited by this paper
• Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model

  1997cited by this paper
• Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training

  1996cited by this paper
• A Model of the Perceptual Root(s) of a Chord Accounting for Voicing and Prevailing Tonality

  1996cited by this paper
• Cognitive Foundations of Systematic Musicology

  1995cited by this paper
• Applying Psychoacoustics in Composition: "Harmonic" Progressions of "Nonharmonic" Sonorities

  1994cited by this paper
• A derivation of the rules of voice‐leading from perceptual principles

  1993cited by this paper
• Pitch properties of chords of octave-spaced tones

  1993cited by this paper
• AN IMPROVED MODEL OF TONALITY PERCEPTION INCORPORATING PITCH SALIENCE AND ECHOIC MEMORY

  1993cited by this paper
• The Harmonic Root: A Fragile Marriage of Concept and Percept

  1993cited by this paper
• Critical Bands and the Spelling of Vertical Sonorities

  1992cited by this paper
• Perceived Key Movement in Four- Voice Harmony and Single Voices

  1992cited by this paper
• Harmonic Closure: Music Theory and Perception

  1992cited by this paper
• Cognitive Foundations of Musical Pitch

  1991influential reference
• Generative Rules for Music Performance : A Formal Description of a Rule System

  1991cited by this paper
• Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities

  1991cited by this paper
• Voice Denumerability in Polyphonic Music of Homogeneous Timbres

  1989cited by this paper
• Harmony: A Psychoacoustical Approach

  1989cited by this paper
• Revision of Terhardt's Psychoacoustical Model of the Root(s) of a Musical Chord

  1988cited by this paper
• A history of consonance and dissonance

  1988cited by this paper
• The Use of Acoustic Measures of Dissonance to Characterize Pitch-Class Sets

  1985cited by this paper
• Categorical perception--phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals.

  1978cited by this paper
• Explaining Music: Essays and Explorations

  1975cited by this paper
• The Structure of Atonal Music

  1973cited by this paper
• Tonal consonance and critical bandwidth.

  1965cited by this paper
• Circularity in Judgments of Relative Pitch

  1964cited by this paper
• Toward a Cultural Theory of Consonance

  1947cited by this paper
• The contrapuntal harmonic technique of the 18th century

  1947cited by this paper
• The craft of musical composition

  1941cited by this paper

• Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation

  2019cites this paper