{"corpus_id":143481099,"paper_sha":"4b4a77d0d87d83fb0718fe17b822e6fa837b3047","doi":"10.5209/REV_HICS.2014.V19.45008","arxiv_id":null,"pmid":null,"pmcid":null,"mag_id":2020406116,"dblp_id":null,"acl_id":null,"title":"La inserción del discurso del receptor en la narrativa transmedia: el ejemplo de las series de televisión de ficción","year":2014,"publication_date":"2014-04-28","venue":"","journal":{"name":"Historia Y Comunicacion Social","pages":"31-42","volume":"19"},"journal_issn":null,"journal_title":null,"publication_types":[],"pubmed_pub_types":null,"s2_fields_of_study":[],"reference_count":5,"citation_count":11,"influential_citation_count":0,"is_open_access":true,"arxiv_categories":null,"arxiv_license":null,"arxiv_journal_ref":null,"mesh_headings":null,"chemicals":null,"comments_corrections":null,"source_flags":1,"s2_open_access_pdf_url":"https://revistas.ucm.es/index.php/HICS/article/download/45008/42379","s2_open_access_landing_url":"https://www.semanticscholar.org/paper/4b4a77d0d87d83fb0718fe17b822e6fa837b3047","s2_open_access_license":"CCBY","s2_open_access_status":"GOLD","pmc_open_access_pdf_url":null,"pmc_open_access_landing_url":null,"pmc_open_access_license":null,"pmc_open_access_status":null,"unpaywall_open_access_pdf_url":null,"unpaywall_open_access_landing_url":null,"unpaywall_open_access_license":null,"unpaywall_open_access_status":null,"abstract":"Los avances tecnologicos han supuesto una revolucion en la forma de crear, transmitir y consumir los productos de entretenimiento, dando lugar a nuevas formas de contar historias, como la narrativa transmedia, que se caracterizaria principalmente porque cuenta una historia a partir de distintas plataformas o formatos, permitiendo que el receptor se incorpore de manera creativa a la historia. Este trabajo explora las potencialidades que el formato de las narrativas transmedia aporta a las series de ficcion televisivas. En particular se estudian Game of Thrones, Isabel y Cuentame como paso , atendiendo especialmente al contenido multipantalla creado para estas series y a las posibilidades de inclusion del discurso del receptor como parte integrante del universo narrativo de la serie.","claims":[{"public_id":"cl_5603e53c3cc75f81ecf1241b94f737c9","status":"active","text":"El contenido multipantalla creado para las series analizadas permite incorporar el discurso del receptor como parte integrante del universo narrativo.","confidence":0.92,"contributors":[{"id":1,"public_id":"12632b8b5f","public_label":"Anonymous (12632b8b5f)","roles":["extraction"],"url":"https://sah.borca.ai/u/12632b8b5f"}],"url":"https://sah.borca.ai/claims/cl_5603e53c3cc75f81ecf1241b94f737c9"},{"public_id":"cl_10fe979518dba3a9621b32649a53fc8f","status":"active","text":"El formato de la narrativa transmedia ofrece potencialidades para las series de ficción televisivas.","confidence":0.9,"contributors":[{"id":1,"public_id":"12632b8b5f","public_label":"Anonymous (12632b8b5f)","roles":["extraction"],"url":"https://sah.borca.ai/u/12632b8b5f"}],"url":"https://sah.borca.ai/claims/cl_10fe979518dba3a9621b32649a53fc8f"},{"public_id":"cl_58f9510a48c56e6d8a318b894f6998a5","status":"active","text":"Game of Thrones, Isabel y Cuentame como paso se estudian como ejemplos de series de ficción televisivas con contenido multipantalla.","confidence":0.88,"contributors":[{"id":1,"public_id":"12632b8b5f","public_label":"Anonymous (12632b8b5f)","roles":["extraction"],"url":"https://sah.borca.ai/u/12632b8b5f"}],"url":"https://sah.borca.ai/claims/cl_58f9510a48c56e6d8a318b894f6998a5"}],"concepts":[{"public_id":"co_1c5744a39fc0b3dd472ce2698d995399","status":"active","name":"Cuentame como paso","description":"Serie de ficción televisiva utilizada como caso de estudio.","types":["tv series"],"aliases":["Cuéntame cómo 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