M. Walton

Simulation of Polarized Light Microscopy for Multiple Analyzer Angles
20250 citationsauthor #4
How to archive the visual contents of aging analog film holograms?
20230 citationsauthor #5
Digital restoration of colour cinematic films using imaging spectroscopy and machine learning
202212 citationsauthor #9
Denoising Fast X-Ray Fluorescence Raster Scans of Paintings
20221 citationsauthor #5
Technical steps towards enhanced localization of proteins in cultural heritage samples by immunofluorescence microscopy and micro-reflectance imaging spectroscopy
20220 citationsauthor #4
Can Deep Learning Assist Automatic Identification of Layered Pigments From XRF Data?
202216 citationsauthor #14
A multi-analytical study of the palette of impressionist and post-impressionist Puerto Rican artists
202211 citationsauthor #5
Image Processing Perspectives of X-Ray Fluorescence Data in Cultural Heritage Sciences
20225 citationsauthor #5
VR Eye-Tracking using Deflectometry
20219 citationsauthor #5
Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks.
202173 citationsauthor #5
Skinscan: 3D Dermatologic Diagnosis and Documentation with Commodity Devices
20210 citationsauthor #7
Looking Back, Looking Forward: Materials Science in Art, Archaeology, and Art Conservation
202113 citationsauthor #5
Multi-Modal, Non-Invasive Investigation of Modern Colorants on Three Early Modern Prints by Maria Sibylla Merian
202110 citationsauthor #4
Characterizing the Immaterial. Noninvasive Imaging and Analysis of Stephen Benton's Hologram Engine no. 9
20213 citationsauthor #1
A Data Fusion Method For The Delayering Of X-Ray Fluorescence Images Of Painted Works Of Art
20213 citationsauthor #5
A Low-Cost Solution for 3D Reconstruction of Large-Scale Specular Objects
20214 citationsauthor #5
Micro reflectance imaging spectroscopy for pigment identification in painting cross sections
20213 citationsauthor #7
After the paint has dried: a review of testing techniques for studying the mechanical properties of artists’ paint
202135 citationsauthor #2
Shining Through: Multi-Analytical Studies of the Tiffany Hartwell Memorial Window
20210 citationsauthor #4
Skinscan: Low-Cost 3D-Scanning for Dermatologic Diagnosis and Documentation
20212 citationsauthor #7
New insights into Pablo Picasso’s La Miséreuse accroupie (Barcelona, 1902) using X-ray fluorescence imaging and reflectance spectroscopies combined with micro-analyses of samples
20209 citationsauthor #7
Development of a highly mobile and versatile large MA‐XRF scanner for in situ analyses of painted work of arts
202026 citationsauthor #9
Improved spectral imaging microscopy for cultural heritage through oblique illumination
20205 citationsauthor #5
Hand-guided qualitative deflectometry with a mobile device.
202020 citationsauthor #7
The influence of commercial primed canvases in the manifestation of metal soaps protrusions in Georgia O’Keeffe’s oil paintings
20207 citationsauthor #3
Low-budget 3D scanning and material estimation using PyTorch3D
20203 citationsauthor #4
3D Surface Measurement and Analysis of Works of Art
20193 citationsauthor #7
Pigment Unmixing of Hyperspectral Images of Paintings Using Deep Neural Networks
201917 citationsauthor #3
Time-domain optical coherence tomography can measure artworks with high penetration and high resolution
20192 citationsauthor #9
Maximizing the microscope: instrument design and data processing strategies for hyperspectral imaging of cross-sectional cultural heritage samples
20192 citationsauthor #4
Casting Light on 20 th-Century Parisian Artistic Bronze : Insights from Compositional Studies of Sculptures Using Hand-Held X-ray Fluorescence Spectroscopy
20190 citationsauthor #6
Gold processing at the early Islamic market town of Tadmekka, Mali: Preliminary results from experimental replication
20190 citationsauthor #2
Investigation of reflectance-based pigment classification in layered media (Conference Presentation)
20190 citationsauthor #4
Visible transmission imaging of watermarks by suppression of occluding text or drawings
20195 citationsauthor #5
Uncalibrated Deflectometry with a Mobile Device on Extended Specular Surfaces
20192 citationsauthor #6
Casting Light on 20th-Century Parisian Artistic Bronze: Insights from Compositional Studies of Sculptures Using Hand-Held X-ray Fluorescence Spectroscopy
20199 citationsauthor #6
Analyzing Picasso: Scientific Innovation, Instrumentation, and Education
20180 citationsauthor #2
Materials and techniques of Islamic manuscripts
201833 citationsauthor #3
The Design of a Dark Field Backscatter Hyperspectral Microscope for Materials Characterization
20180 citationsauthor #1
Innovative data reduction and visualization strategy for hyperspectral imaging datasets using t-SNE approach
201848 citationsauthor #5
Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art.
201835 citationsauthor #3
Cast in a new light: surface topographies of Paul Gauguin’s transfer drawings
20180 citationsauthor #3
The analysis of late Bronze Age glass from Nuzi and the question of the origin of glass-making
201838 citationsauthor #5
A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt
201831 citationsauthor #12
A Novel OCT Design for Cultural Heritage Applications
20180 citationsauthor #6
Adaptive Image Sampling Using Deep Learning and Its Application on X-Ray Fluorescence Image Reconstruction
201836 citationsauthor #5
Shape-from-Shifting: Uncalibrated Photometric Stereo with a Mobile Device
20173 citationsauthor #4
From lapis lazuli to ultramarine blue: investigating Cennino Cennini’s recipe using sulfur K-edge XANES
201734 citationsauthor #5
Spatial-Spectral Representation for X-Ray Fluorescence Image Super-Resolution
201710 citationsauthor #4
László Moholy-Nagy’s Painting Materials: From Substance to Light
20170 citationsauthor #8
Form, Color, and Function: Understanding the Appearance of Art through Computational Imaging and Materials Analysis
20170 citationsauthor #1
Synchrotron Radiation and Neutrons in Art and Archaeology (SR2A) Conference 2016
20170 citationsauthor #4
Photometric Stereo by UV-Induced Fluorescence to Detect Protrusions on Georgia O'Keeffe's Paintings
20178 citationsauthor #2
Getting more for less: adaptive X-ray fluorescence sampling for imaging
20170 citationsauthor #1
Revealing the biography of a hidden medieval manuscript using synchrotron and conventional imaging techniques.
201744 citationsauthor #10
Fluorescence lifetime estimation using a dynamic vision sensor
20170 citationsauthor #3
Computational Imaging for Cultural Heritage: Recent developments in spectral imaging, 3-D surface measurement, image relighting, and X-ray mapping
201619 citationsauthor #4
Investigation of an enameled glass mosque lamp: a 13th–14th-century Mamluk example or 19th-century European version?
20162 citationsauthor #6
Romano-Egyptian Mummy Portraits from Tebtunis, Egypt
20160 citationsauthor #1
Keynote speakers: Computational imaging: How much imaging - How much computation?
20160 citationsauthor #3
Automatic pigment identification on roman Egyptian paintings by using sparse modeling of hyperspectral images
201615 citationsauthor #5
Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuli
201633 citationsauthor #4
Reverse Engineering Ancient Greek Ceramics: Morphological and Spectral Characterization of Replicates
201610 citationsauthor #3
X-Ray fluorescence image super-resolution using dictionary learning
20163 citationsauthor #4
The hoard from the city-site of Vani
20160 citationsauthor #12
A Streamlined Photometric Stereo Framework for Cultural Heritage
201615 citationsauthor #5
Isotopic investigation into the raw materials of Late Bronze Age glass making
201546 citationsauthor #11
Surface shape studies of the art of Paul Gauguin
20155 citationsauthor #10
Investigating the firing protocol of Athenian pottery production: A Raman study of replicate and ancient sherds
201516 citationsauthor #4
Investigating the use of Egyptian blue in Roman Egyptian portraits and panels from Tebtunis, Egypt
201531 citationsauthor #6
Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology
201520 citationsauthor #1
Crowd-sourced mobile phone images for heritage conservation monitoring
20157 citationsauthor #2
Evidence for an unorthodox firing sequence employed by the Berlin Painter: deciphering ancient ceramic firing conditions through high-resolution material characterization and replication
201532 citationsauthor #6
Hyperspectral X-Ray Fluorescence of the Luni glasses
20150 citationsauthor #3
Near light correction for image relighting and 3D shape recovery
201530 citationsauthor #2
northodox fi ring sequence employed by the Berlin Painter : deciphering ancient ceramic fi ring conditions through high-resolutionmaterial characterization and replication
20150 citationsauthor #6
Investigating the use of Egyptian blue in Roman Egyptian portraits and panels from Tebtunis, Egypt
20150 citationsauthor #6
Investigating the Firing Protocol of Athenian Pottery Production: A Raman and Hi-Resolution TEM Study
20142 citationsauthor #3
Soft X-ray absorption spectroscopy and imaging of sulfur in lapis lazuli
20140 citationsauthor #1
Multiple Layers in Black Gloss as Evidence of Multiple Firings
20141 citationsauthor #3
Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: a mock-up study based on Rembrandt's “An old man in military costume”
201353 citationsauthor #10
Material Evidence for Multiple Firings of Ancient Athenian Red-Figure Pottery
201318 citationsauthor #1
Compositional Characteristics of Athenian Black Gloss Slips (5th c. B.C.)
20133 citationsauthor #1
Analysis of late bronze age glass axes from nippur-a new cobalt colourant
201242 citationsauthor #1
Late Bronze Age glass from Nippur - a new cobalt colorant from the ancient Near East
20120 citationsauthor #1
Iron Age glass beads from Carthage
20127 citationsauthor #7
Pompeii and Herculaneum: differences and similarities through the chemical and isotopic composition of glass
20120 citationsauthor #2
Mediterranean sand deposits as a raw material for glass production in Antiquity
201213 citationsauthor #5
The evaporitic deposits of Lake Fazda (Wadi Natrun, Egypt) and their use in Roman glass production
201130 citationsauthor #3
The Examination of Works of Art using in Situ XRF Line and Area Scans
201045 citationsauthor #6
PRODUCTION TECHNOLOGY OF ROMAN LEAD‐GLAZED POTTERY AND ITS CONTINUANCE INTO LATE ANTIQUITY
201095 citationsauthor #1
C-10 Invited—Going Beyond XRF: Use of Micro-Fluorescence and Diffraction to Understand How a Cultural Heritage Object Was Made and How It Ages and Degrades
20100 citationsauthor #1
Application of a multi-analytical toolset to a 16th century ointment: Identification as lead plaster mixed with beeswax
201041 citationsauthor #8
Material evidence for the use of Attic white-ground lekythoi ceramics in cremation burials
201018 citationsauthor #1
PLS Regression to Determine Lead Isotope Ratios of Roman Lead Glazed Ceramics by Laser Ablation TOF-ICP-MS
20092 citationsauthor #1
ROMANO-EGYPTIAN RED LEAD PIGMENT: A SUBSIDIARY COMMODITY OF SPANISH SILVER MINING AND REFINEMENT*
200936 citationsauthor #1
Evidence for the trade of Mesopotamian and Egyptian glass to Mycenaean Greece
2009127 citationsauthor #1
Characterization of lapis lazuli pigments using a multitechnique analytical approach: implications for identification and geological provenancing.
200980 citationsauthor #2
ISOTOPIC DISCRIMINANTS BETWEEN LATE BRONZE AGE GLASSES FROM EGYPT AND THE NEAR EAST
200956 citationsauthor #9
CHARACTERIZATION OF CORAL RED SLIPS ON GREEK ATTIC POTTERY
200922 citationsauthor #1

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