Editor's note

The first article by Sabine Huschka, “Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy,” examines the “perceptual politics of trance-like scenes” by contemporary European based choreographers and performers such as Doris Uhlich and Meg Stuart. Trance-like states involving out of body and out of mind experiences, as Huschka notes, are often associated with utopian ideas on the one hand (think of the Shakers, a religious sect that emerged from the Quaker movement), or with transgressing or crossing received borders or boundaries, on the other. The modern dance choreographer Mary Wigman, as the author notes, envisaged trance as a spell or an invocation that is set free from within its own internal source. Contemporary choreographers like Uhlich or Stuart on the other hand, as Huschka shows, “expose the body to powers that nearly disintegrate it.” The article deftly analyzes how these contemporary choreographers stage movement as a sensational occurrence that opens up both performers and audiences “to experiences of transgression.”

• Publication year

  1983

• Venue

  Neuropharmacology

• Publication date

  1983-01-31

• Fields of study

  Art, Medicine

• Identifiers
  DOI 10.1016/0028-3908(83)90254-XPMID 18234579
• External record

  Open on Semantic Scholar

• Source metadata

  Semantic Scholar, PubMed

• No claims are published for this paper.

• No concepts are published for this paper.

• No references are available for this paper.

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